Trombonist/educator/composer/arranger/bandleader Nick Finzer might be a member of Scott Bradlee’s Postmodern Jukebox but he’s still that same teenager who entered the annual “Essentially Ellington” competition at the “Jazz At Lincoln Center” series. On No Arrival (Posi-Tone), his tone is positive with swing, post-bop and the kind of. His originals are daring. They poke, prod and push his sextet to satisfying heights on music from Prince (“The Greatest Romance Ever Sold”), Leonard Bernstein (“Maria”), George Gershwin (“Soon”) and, of course, two solid and satisfying doses of Ellingtonia. Props to the swirling tenor sax and bass clarinet of Lucas Pino who serves as foil for Finzer’s ‘bone while a rampaging piano/guitar/bass/drums keeps things hopping.
Over the past year, it’s been quite tough for anyone not to hear the voices of women around the world rising up to proclaim “Enough.” Enough of the sexual harassment and inequality in the work place, whether it be perpetrated by Hollywood Big-wigs, national and local politicians, sports doctors, educators, or someone in your neighborhood.
Saxophonist and composer Roxy Coss participated in the Women’s March the week of Donald Trump’s inauguration. She carried a sign that read “The Future is Female”; that’s the title of her new album, a of 10 original compositions featuring her working ensemble of Alex Wintz (guitar), Miki Yamanaka (piano), Rick Rosato (bass), and Jimmy Macbride (drums) with bass clarinetist Lucas Pino on one track.
Song titles such as “#MeToo”, “Nasty Women Grab Back“, and “Females Are Strong as Hell“, might make you think that music has a strident quality. Many of the songs have great power but Ms. Coss wants to entertain and educate. While you’re grooving to the great rhythm section or enjoying Wintz’s delightful guitar solos or Ms. Yamanaka’s foundational piano, the leader wants you to think, wants you to react to the issues she’s presenting that you will begin to take action and demand better behavior throughout the country.
Sitting and listening to the music, one hears the influence of Charles Mingus (whose song titles made you sit up) and the power of Art Blakey and Max Roach. Those artists and others were also fighting for the cause of equality. Sometimes, their music rankled listeners but, more often than not, the sounds excited those who listened and, perhaps, even made them change attitudes for the better. Ms. Coss’s lovely ballad “Choices” is filled with emotion while “Mr. President” starts slowly with a somber melody over martial drums. Soon, the rhythm section kicks into high gear and Ms. Coss’s tenor sax pushes them forward. “Feminist AF” is a blues – no surprise there – that hints at both John Coltrane and Wayne without imitating either one. The afore-mentioned “Nasty Women…” features the leader on soprano and, while the rhythm section has some “bite”, the solos soar, especially Wintz’s rippling guitar lines.
Besides her work on the bandstand, Roxy Coss is the founder and director of WIJO (Women in Jazz Organization) – their Mission Statement is quite clear:
“WOMEN IN JAZZ ORGANIZATION INTENDS TO HELP LEVEL THE PLAYING FIELD IN JAZZ, SO THAT WOMEN AND NON-BINARY PEOPLE HAVE AN EQUAL OPPORTUNITY TO PARTICIPATE IN AND CONTRIBUTE TO JAZZ, LEADING TO AN IMPROVED AND MORE RICH, DIVERSE, AND SUCCESSFUL ARTFORM. THE ORGANIZATION IS COMMITTED TO HONORING BLACK AMERICANS AS THE CREATORS OF JAZZ.“
Give a listen to “The Future is Female” – it’s music that swings and rocks plus has a number of messages you should pay attention to (if you haven’t already).