The twelve original compositions on saxophonist Ken Fowser‘s first album as a leader, “Standing Tall”, show his true mastership in swing, style, and structure. “Head Start” is a perfect album opener with an ebullient, and yet relaxing harmonic overtone that reminds me of some of the finest Impulse releases from the 60s.
The cool and grooving nature of the album continues with “Lucid Dreaming”, where Rick Germansonhas a nicely flowing solo on piano. Ken doubles with trumpeter Josh Bruneaumostly and really transports us into Smoke, New York’s Uptown Jazz mecca, where the intimacy of his playing is probably best represented. Things turn bluesy on “Filling In The Blanks” where Ken’s pretty fat and sonorous tenor sound really comes to the fore.
And with “Off The Path”, another engaging tune, Ken delivers a bouncy showcase for his full band, with Paul Gill on bass and Jason Tiemann on drums. Ken has worked with Jimmy Cobb, David Hazeltine, Ray Drummond, Mickey Roker, to name a few and his sophisticated style in pieces like “The Fade Away” can certainly be attributed to his partners in crime – it has a modern-day Jazz Messengers feel to it. Highly enjoyable and masterfully executed. It’s a thrilling journey, really.
Ken continunes on the flowing, straight-ahead path with another aesthetically timeless piece, “Patience And Optimism”, the latter of which seems to be the continuing thread or motif for his strong playing and the cute compositional skills. My personal favorite for the moment is the title track with its effervescent playing and the deep immersion into some joyful musicianship. And then there is the somewhat brooding style of “Hanging On”, a more introspective kind of tune with a beautiful solo by Rick Germanson. He plays some Barry Harris /Tommy Flanagan-stlye, elegant yet bluesy and thick piano on “Brick’s Tune”, another delightful piece.